HUNTER & SPORT HORSE

Are We Moving Too Fast?
Klaus Balkenhol Talks
About Training Young Dressage Horses
September / October, 2001
page 10
by Kyra Beth Houston & Gay Walker
Photos by Kyra Beth Houston, Susan Sexton & Heike Wahl

Continued from page 4


Klaus watches Natalie of Denmark lunge a three-year-old
Donnerhall son.  Photo by Heike Wahl

Exercises to Build The Horse's Confidence & Strength

            Transitions between gaits (walk/trot, trot/canter, trot/halt) and transitions within a gait (collected walk to extended walk) are excellent exercises to build a horse's confidence, hindquarter and back muscles, and responsiveness to rider's aids. 

            Half halts should be practiced each lesson.  The horse should respond to the half halt and the rider should immediately give. If the horse does not respond to a half halt, a stronger not prolonged aid should be given, immediately followed by release so the horse remembers this pleasant moment and wants to respond immediately.  If the horse does not respond, the rider cannot give and the horse will constantly be against the bit, on the forehand, unbalanced, and unable to carry himself.

            The walk is a gait that cannot be improved but it should always be maintained. Allow the horse to walk on a free rein to find his natural walk.  When the horse is relaxed and the walk is regular, square halts can be practiced.  Use half halts to collect the walk, then with a supple hand, ask for halt.  This is a difficult exercise.  From an energetic walk, prepare for the halt with half halts.  At the halt, the rider should leave the horse alone being sure not to work backward with the hands. 

            In walk pirouettes, riders have a tendency to over collect the horse and to continue pulling on the reins.  Then they have to rely on the spur to move the horse around, which often causes the haunches to swing out.  If the horse is not responsive enough to the rider's aids, then the horse should be schooled outside the pirouette before the pirouette is attempted again.  When the horse is able to collect to a high degree on a straight line, then the rider can consider beginning pirouette work.  Ride out of the pirouette in the shoulder fore position on a straight line.

            Work on passage by trotting on a 20 meter circle and collecting the horse towards passage, keeping the rhythm.  The rider's hands must stay forward and the horse be allowed to go forward by himself, with the rhythm supported by the leg and the seat.  Immediately, trot on.  Let the horse go, but do not hurry him interrupting his natural rhythm. Piaffe and passage must show a purity of the gait first, then you can ask for more expression.

            Shoulder in is a great exercise to prepare for schooling half pass.  If accuracy is lost in the half pass to the right, correct by working the shoulder in to the left.  Rhythm and liveliness should be the same whether the horse is straight or moving laterally.  A passage-like trot in half pass is not acceptable.  The half pass must be ridden forward with steady contact on the inside rein to keep the forehand from leaning.

            Canter pirouette should not be ridden with haunches in.  If the haunches are in, then the shoulders have to travel farther and the horse becomes confused.  The haunches should follow the forehand and the hind legs should step toward the center of gravity.  Supple contact is needed, the horse must feel that he is free.

            To teach a young horse flying changes, first the horse is ridden forward in the trot.  If the horse is reluctant to go forward, the whip is used lightly.  The rider must establish the training scale -- relaxation, rhythm, tempo, contact, collection -- whether the horse is training level or Grand Prix.  Once the horse is in front of the leg, the rider can begin doing exercises.

            First, the horse is asked to canter very forward across the diagonal, collected at the wall and asked for the change immediately after the horse is collected.  This increased in collection makes the change easier for the horse. 

            The horse can also be ridden in a big pirouette on one lead which is a collecting movement, then straightened for one canter stride, and then ridden out on the other lead (like riding a figure eight.)  Changes are asked for after collecting exercises.

            The horse can also be leg yielded in the canter down the long side to three meters away from the wall, then asked for the change as the horse is allowed to return to the wall.

            The rider must be careful that the horse is not allowed to go sideways in the fling change -- the changes must go forward.  Flying changes must come out of a swinging back and a desire to go forward, not from the horse being chased into the change.  The horse must have complete trust in the rider.

            If the horse is short on the change to one side, the whip should be used to correct it.  If the rider tries to correct by pressing harder with the leg, the rider will unbalance or confuse the horse.  The whip and the spur are AIDS and not punishments.  If the whip is used too firmly, the horse becomes angry and tense, which is counter-productive.  When the whip is used lightly, it serves as an aid.

            Flying changes come from the hindquarters which can only work well when they are not disturbed by the rider's hand. 
Continued on page 6
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