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Klaus Balkenhol Seminar
January 27-28, 2001
Los Angeles, CA. 
Volker Brommann, Translator

Author:  Gay Walker

Klaus Balkenhol Seminar

 
  • Note: Klaus Balkenhol talks from "stream of conscienceness" while teaching, with many comments directed to the auditors. As a result, the comments made during a ride do not necessarily apply to the particular rider. Often, Klaus was addressing faults common to many riders at that level.

    Day One

    Opening Remarks: Horses must perform from joy and not subservience. Elasticity and calmness require adequate muscle strength. The horse must never be asked for more than he is able to give.

    Regular attention must be given to the horse’s mouth. It is the part most influenced by the reins, and the most sensitive part of the horse. The mouth and teeth must be checked for sharp edges, bite problems, etc. Excess noseband pressure puts pressure on the poll. If the noseband MUST be tight, then something has gone wrong in the early training of the horse and work must go back to the basics.

    In the first 2 years under saddle, the horse should be trained in a versatile manner which includes jumping and trail so that the horse is prepared both mentally and physically for the specialized work of dressage.

    Tack must be checked regularly because the horse’s body is changing due to muscling, fitness and growth.

  • Young Horses
    Jan Ebeling on Feliciano, a 6 y.o. Westfalian Stallion
    Mette Rosencranz on Coco Belize, a 6 y.o. Swedish Stallion
  • Lower Level Horses
    Charlotte Bredahl on Lanka, a 7 y.o. Dutch Gelding
    Jil Walton (Event Rider) on Del Mar, a 13 y.o. Swedish Gelding

    It is better to ride 5 one-tempi changes well, than to continue on and ride 9 one-tempi changes finishing poorly.
    The rider’s mood is important. The rider should not ride if there is undue stress or there are time constraints. It is better to just turn the horse out into the paddock. The horse mirrors the rider’s mood.
  • Mid Level Horses
    Guenter Seidel on Metropolitan, a 6 y.o. Dutch Stallion
    Jo Moran on Luxor, a 7 y.o. Dutch Gelding
  • General Comments and Question and Answer Session
    Should you teach piaffe or passage first?
    Do you prefer mares or geldings?
    What suggestions can you make for a horse that doesn’t want to stand still?
  • Intermediaire I
    Chelsey Sibley on Ijsselmeer, 10 y.o. Dutch Stallion
  • 4th Level / PSG
    Kathleen Raine on Lord Glendale, 7 y.o. Dutch Gelding
  • PSG
    Leslie Morse on Kingston, 9 y.o. Dutch Stallion
    The easiest movements are sometimes the most difficult.
  • Intermediaire II
    Debbie McDonald on Brentina
  • Grand Prix
    Steffen Peters on Grandeur
  • Grand Prix Special
    Christine Traurig on Etienne.  Klaus, and the auditors, were speechless as Christine rode her Olympic mount. They were truly poetry in motion.
  • Day Two
    The rider must be sensitive to the horse’s state of mind, taking care not to overtax him. Stress from work, an audience and applause will likely make the horses behave differently today than yesterday.
  • Day Two Reports on Same Pages as Day One
  • Final Comments Questions:
    The driving aids into the hands must maintain a consistent connection in order for the horse to stay round. The horse must be driven to the hand and accept the hand, with the neck position in relation to the horse’s back.
    Question: Do you prefer long-backed or short-backed horses?
    Answer: Short-backed hgorses tend to be more stable and to be able to carry more weight. However, their backs tend to be tighter and have less schwung, and they may go wide behind in extensions. Longer-backed horses travel more fluidly and can reach forward without interfering, but are harder to collect and their backs take longer to strengthen. Klaus himself prefers a longer-backed horse, while the other riders were pretty much evenly divided. Klaus says it really comes down to a matter of personal taste.

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